Utopia
Utopia 2007: 8th International Conference of the Utopian Studies Society
July 12-14th 2007
ABSTRACTS I
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keynotes:

Esther Leslie
Utopia in a Snowglobe
Taking Brecht's watchword 'erase the traces' as one starting-point, and Little Nemo's visit to a glass cave in Slumberland in 1905 as another, this paper traces a relationship between utopia, transience and transparency, as figured in the materials of glass and ice. The manifestos of Bruno Taut and Paul Scheerbart, which plea for glass architecture and alpine architecture respectively, are related to the tradition of ice palaces, the first of which is said to have been built on the River Neva in 1739 to accommodate a honeymooning couple. In this paper, utopia is found in a snowglobe.

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Esther Leslie
www.militantesthetix.co.uk


David Cross
The concept of Utopia as 'no place' keeps possibility open by liberating thought from convention. As an artist, I am stifled by the dichotomy of Theory and Practice, with its implicit separation of mind and body, and its binary division between the ideal and the actual. I propose we work instead with a three-part model similar to Aristotle's Theoria, Poiesis and Praxis, which have truth, production, and action as their respective purpose or aim. I would like Praxis to be understood in the spirit offered by Karl Marx, and developed by Jürgen Habermas: using all the faculties in conscious, ethically grounded and transformative (inter)action. As examples of efforts to achieve such transformation, I shall show some projects by Cornford & Cross, including Utopia (1999), which explored generosity both as a form of control and of resistance; Why Read the Classics? (2005), a play of dazzling illusion and blind idealism; Words are not Enough (2007); a confrontation between denial and 'the possibility of hope'; and Trance Nation (2007), which stages a reciprocal gaze between rationalism and mysticism. My impulse to make art springs from a lively sense of dissatisfaction at the gap between the ideal and actual. For me, praxis begins with an attempt to close that gap, follows with a recognition that the attempt is doomed, and hopefully, leads to a way of coming to terms with it. Transformations in pursuit of an artistic ideal seem to demand a change not only in social situations, but also in myself.

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www.cornfordandcross.com


Lalit Kishor-Bhati
Auroville- A Utopia in the Making

All the problems of the humanity are essentially the problems of harmony – 'Sri Aurobindo'

It is about developing a new mind set towards the harmonious co-existence of all. Auroville's quest and experiments for 'Utopia' are aimed at 'Realising Actual Human Unity'.

Auroville, established in 1968, in South India, today, has 2,000 residents representing 42 nationalities. It has UNESCO's endorsement as a unique project of great value to Humanity. Auroville has a pioneering status in wide use of renewable energy, natural resource management, environmental restoration, organic farming, waste management, innovative architecture and low energy and appropriate building technologies, rural & regional integrated development initiatives and also the aspects of self governance, conflict resolution, alternative economy and education.

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www.auroville.org

  www.utopia2007.org